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Being an avid photography junkie and self-proclaiming myself as an amateur photographer, I had to contact Sedrick Miles when I stumbled upon his work on behance.net. I was completely drawn in. Some of his images are so personal and intimate. Not too long ago, I was able to interview Sedrick Miles and gain insight into who he is and what photography means to him. Enjoy.
1. Hello, Sed. How's everything?
Thanks for taking the time to allow me to interview. I'm doing well. Thanks for the opportunity. I'm honored.
2. So tell me a little about yourself, how old you are, where you are from/grew up, where you reside now.
I'm 31. I was born in a village in SC called Bennettsville. I grew up between there and Anchorage, AK. After graduating from high school in SC I studied and worked in Atlanta, New York, DC, Philly, and I currently live in North Carolina.
3. Sed, do you have an artistic/photographic background? How did you first become interested in photography? Are you interested in any other art forms? Painting, illustration, deejay-ing…?
Like a lot of kids, I loved to draw growing up and I loved comics and drawing comic book characters. Art was always one of my favorite classes. I was editor of my high school paper when our advisor gave me his Canon Ae-1 for an assignment and I've been hooked ever since. It felt wonderful to finally find a way to express myself creatively.
4. As I stated in our initial email exchange, “That Hump-But| Her | Fly” and “Shoebox Diaries” were among my favorites; I could reference many more. What was the inspiration behind those images? You mentioned music influenced you in your email, but what are some of your other inspirations/influences?
“That Hump…” was inspired by the Erykah Badu song. I was out of town managing a leadership development training when I had to leave early to travel back to Philly. My wife had been in the hospital for a serious illness and had taken a bad turn. I saw the butterfly beneath the curb as I was getting in the car to take the long ride back to her. So I got a photo of it before I left. That song is also one of my wife's favorites. It motivated her through her healing process.
There is so much music that influences my work. My favorite music is from the soul and gives insight into life when you hear it. I try to make my photography have the same effect when viewed. Even more than music, I am influenced by relationships. Many of my most popular photos are portraits of great friends and family members who have shared.
5. I gotta ask, how did it feel to capture images of our President, Barack Obama, during the campaign trail? Thinking back to that moment, what kinds of emotions were you feeling? What were some of the thoughts that were running through your mind?
I know that we will never forget that day. I went to a rally in Philly a few months before, but there was over 30K people. We could barely see the stage. For the Raleigh rally we got lucky and found a decent spot. Everyone was taking pictures and very excited about supporting him. But one thing that surprised me was how many people were talking amongst each other through his speech. I also got upset when adults in front of me wouldn't let some young children (a little boy and his sister) get closer to the gate. They even said, “they should have gotten here earlier”. That showed me that after the hype is over, Obama's support of a new social contract will really require all of us to expect better of each other. Especially the way we treat children. I am excited about the potential for communities to grow stronger with the help of Obama's unique ability to inspire the masses.
“What the camera does for me is like what the trumpet or drums does for a musician. It gives me a way to express myself, and to grow in expression as I grow my skills.”
6. That leads to my next question. You seem to shoot varied subjects, but most seem to be of humans. How do you seek out your subjects? Do you prepare and plan your photographs or is there a type of spontaneity within your work?
Actually, there is a little bit of all of that. I find it very difficult to photograph people or subjects that I don't like or want to get to know better. I hope that I can be successful with this approach because it feels so satisfying that every photo is a growing experience. I am usually inspired by relationships and how people interact with one another. I think that we all have stories to tell, so when someone wants to tell their story to me, I pay attention and allow them to connect with the camera. I would like to get better at both imagining and setting up shots as well as spontaneous photos. I look forward to photographing more strangers, collecting more stories…
7. It seems that a lot of your images are in black and white, which personally I love. Is there a reason for this?
No, I enjoy both black and white and color photography. I began using black and white film with my first camera, so I developed an eye for textures and shapes. I am still learning the skills to take great color photos.
8. What type of equipment do you use? Software?
Right now I am using a weathered Canon 30D, but looking to upgrade soon. I like the basic 50 mm lens for a lot of my work. It forces you to learn technique. I also have a new lens that I am thoroughly enjoying, A Tamron 17-55. They are both great pieces of glass. I use Photoshop CS for editing.
9. You said you were in the midst of a career change and will become a full time photographer. What type of photography do you like best and what type of photographer do you want to become?
I enjoy the journalistic aspect of photography, that and portraits. In the future I plan to spend half of my time traveling and documenting the lives of people in different communities around the globe, and spend the other half photographing my favorite musicians, and continuing to do portrait work.
10. A quote by the late, great Gordon Parks resides on your website; “The subject matter is so much more important than the photographer.” What does that quote mean to you? What is your photography philosophy?
Photography as an art and a science is very personal to me. Like a lot of people, I rely heavily on images as my way of processing the world around me, the emotions and all. What the camera does for me is like what the trumpet or drums does for a musician. It gives me a way to express myself, and to grow in expression as I grow my skills. I believe strongly in the quote, which is why I attempt to focus on subject matter that is often forgotten or deprecated by mainstream media.
“I am usually inspired by relationships and how people interact with one another.”
11. 2009 is here, what kinds of plans do you have for your career? Do you have any projects in the works?
Currently I am working on a portrait project called Visual Wealth. I am creating an encyclopedia of faces in order to illustrate the spectrum of features shared between people around the globe. But I need support and votes in order to win. Your readers can visit www.tinyurl.com/sedsdream to learn more and vote for the project.
12. What other interesting tidbits would you like to share about Sedrick Miles?
Well, I'm excited about collaborations in the next few years and I am also working on a project within my creative boutique to help non-profit community groups with affordable identity consultation services. And when I have the time I continue to do media literacy workshops and leadership development trainings. If groups are looking to collaborate they can email me at click@sedrickmiles.com.
from: Faryns Blog
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Canon AF Tamron SP 10-24mm f/3.5-4.5 Di-II Lens 118106
Current Price: $225.00 | Bid $227.50 Now! | # of Bids: 78
Description Guarantee Condition Scale Payment Information Shipping International Bidders Terms of Sale Contact Us Click Here to see our Condition Scale Cosmetic Condition: Excellent Functional Issues/Problems: None Auction Includes Only the Following: Lens, Lens caps, Lens shade, Box This NO RESERVE auction is for a Tamron SP 10-24mm f/3.5-4.5 Di-II Lens for Canon Auto Focus Mount Cameras. This lens is in excellent condition and operates flawlessly. There are only very few light scuffs from general use. The lens glass looks great, however there is a light scratch in the coating. This will not affect function! Do not miss out on this wonderful lens! NO RESERVE! 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Our products are covered by a 10 day inspection period and 30 day warranty. We are an eBay powerseller with a 99%+ positive feedback rating. We have thousands of satisfied eBay customers. What you see is what you get - our pictures are of the actual item you are bidding on. We ship promptly via FedEx - within 1-2 business days (Mon-Fri) of your payment. We professionally package your item for safe shipment. We insure every package we ship. We answer your emails promptly Monday - Friday 9 AM to 5 PM EST - (we do not answer email over the weekend). We accept paypal so you can use your credit card. We are Square Trade and Better Business Bureau members committed to the highest levels of ethics, integrity and customer service. Condition Scale Description Guarantee Condition Scale Payment Information Shipping International Bidders Terms of Sale Contact Us MINT (Like New): 100-95% of original cosmetic condition. Lens: Glass looks great and is free of scratches. Lens barrel shows almost no signs of wear. Camera Body: May have some slight surface imperfections, but over all looks almost new. Film Back: Only minimal surface imperfections can be seen. Rollers turn smoothly and have no signs of wear. Light seals are completely intact. Viewfinder is bright and clear. Flash: Only minimal surface imperfections can be seen. Diffuser is clear and free of cracks. Battery chamber has no signs of any corrosion. Accessories: May have slight surface wear but only visible under close inspection. EXC (Excellent): 94-89% of original cosmetic condition. Lens: Lens glass is perfect but may have some light internal dust which will not affect picture quality. Surface scratches/scuffs can be seen on the lens barrel, but do not affect the functioning. Camera Body: Has some surface scratches/scuffs that will not affect the way it functions. Interior light seals are intact and may show slight wear, but this will not affect the functioning. Viewfinder may have some slight interior dust that does not affect use. Film Back: Surface scratches/scuffs can be seen on the film back, but do not affect the functioning. Rollers may show some light wear, but turn smoothly. Light seals are intact and may show slight wear, but this will not affect the functioning. Flash: Has some surface scratches/scuffs that will not affect the way it functions. Diffuser may have some small scratches but they will not affect light output. Battery compartment is free of corrosion. Accessories: Has some surface scratches/scuffs that will not affect the way it functions. GOOD (Good): 88-75% of original cosmetic condition. Lens: Lens glass may have cleaning marks, small surface scratches, or internal dust which won't affect picture quality. Lens barrel may have brassing, scrapes and/or scratches, but is in functional condition. Camera Body: Appears well used and may include dings, brassing, scrapes and bruises but is in functional condition. Interior light seals may show wear, but this should not affect the functioning. Viewfinder may have some interior dust that does not affect use. Focusing screen may have some small scratches that do not affect functioning. Film Back: Appears well used and may include dings, brassing, scrapes and bruises but is in functional condition. Rollers may have wear, but function fine. Light seals may show wear, but this should not affect functioning. Flash: Appears well used and may include scratches, scrapes or small cracks but is in functional condition. Diffuser may have some scratches but they will not affect light output. Battery compartment is free of corrosion. Accessories: Appears well used and may include dings, brassing, scrapes and bruises but is in functional condition. FAIR (Fair): 74-64% of original cosmetic condition. Lens: Lens glass may have fungus, excessive dust and/or scratches that would more than likely affect picture quality. Lens barrel shows multiple signs of surface wear, such as scratches, dings, and cracks. Camera Body: Appears to have been used very heavily. Multiple dings, scrapes, scratches and heavy brassing are all possible. Interior light seals may show wear and/or need replacing. Focusing screen may have some scratches, framing lines, or smudges that will not affect image quality, but could hinder viewing. Film Backs: Appears to have been used very heavily. Multiple dings, scrapes, scratches and heavy brassing are all possible. Light seals may be starting to deteriorate and need replacing. Flash: Appears to have been used very heavily. Multiple scrapes, scratches and cracks are all possible. Diffuser may have scratches, cracks and yellowing. Battery compartment might have some slight traces of corrosion that would not affect the functioning. Accessories: Appears to have been used very heavily. Multiple scrapes, scratches and cracks are all possible. 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Canon AF Tamron SP 10-24mm f/3.5-4.5 Di-II Lens 118106
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The Tamron 18-250mm zoom lens achieves a minimum focus distance of 0.45m (17.7”) throughout the entire zoom range, top of the class capability among high power zoom lenses for digital SLR cameras, which results in a maximum magnification ratio of 1:3.5 at the 250mm tele-end.
The optical system uses an LD (Low Dispersion) glass element and one AD (Anomalous Dispersion) lens in the first group to minimise on-axis chromatic aberration while achieving the 250mm ultra-tele focal length. In addition, suitable positioning of two hybrid aspherical lens elements serves to meet the desired compactness despite its 13.9X zoom power. In particular, Tamron’s engineers have pursued a thorough analysis of the optical configuration of the third lens group for optimum power distribution in the overall optical system. The approach has resulted in the sufficient compensation of aberrations, including astigmatism; the compactness, thanks to downsizing of the first group; the high zoom power; and optimum optical quality.
Di II: Lenses are designed for exclusive use on digital cameras with smaller-size imagers and inherit all of the benefits of our Di products.